A pregnant doctor's life is made hell by the deranged patient to whom she gave a hysterectomy, without the patient's consent.

A pregnant woman meets with a friend from Facebook only to find that she has ulterior motives.

Lu and Fati are teen mums living in a religious shelter in Buenos Aires. Sister Paola arrives there to take her final vows. But the girls’ impending motherhood faces her with a challenging situation.

Her pill-addicted mom wants to make sure that her daughter stays with her always and will do anything to destroy her relationship with men including getting the guys beaten up, poisoning a dog, cutting herself intentionally and bringing a gun to her latest beau.

A teenage girl who sees her mother shot goes into hiding with a police detective who grows attached to her as she protects her from the killer who is hunting the girl. Laura Mennell, Karin Konoval, Marcus Rosner star.

Todd Haynes, who considers Max Ophuls’ THE RECKLESS MOMENT (1949) one of his ten favorite films of all time, gives a wonderful 22 minute introduction of the film, titled "Maternal Overdrive," a term he uses to describe the state of the protagonist, Lucia Harper (Joan Bennett).

MATERNAL FILIGREE is obviously vision rising thru inwards... it trembles like poetry, music - its rhythms OF and-at-one-with the experience itself. You have stitched a meaningful weave of symbolism throughout but always in the sense 'make it new' (as Pound translates the Chinese), so that symbol rubs and clashes with symbol, so that each is always vibrant, so that no symbol could harden midst the frets and stops of your 'music' - that symbols be felt beyond any set to of understanding... that none of them be ever anything like pomposity/(the known) but rather always sensual." Stan Brakhage. MATERNAL FILIGREE began as an exploration of life in the female body, and led me astray. The film finally led me back to the original question.

It's an invasion of the most personal and terrifying kind. When a meteorite crash lands onto a Boston college campus and an alien beast is released, only one man understands its mission to mate. From the depths of an all girls college, the grotesque monster stalks his prey in a cat-and-mouse chase until the final conflict where only one species can survive.

Gut Instincts contains four horrific little tales. Call Me is about a man who thinks a night of passion is in store, but when he gets home, what awaits him is far from passion. In Patterson Road, a group of teens ventures to a wooded area rumored to have a hidden cemetery. They should have been careful what they asked for because in this case, that's exactly what they got. Speaking Ill of the Dead has a basic theme that karma is a bitch. And Trip has Terra, a struggling alcoholic looking for anything to decrease her stress. In all of these tales, characters had a bad feeling, a gut instinct, about what they were doing, but they didn't listen and paid the ultimate price.

A whimsical surgeon separates good and evil in a man. He intends the good for his fiancee but a femme fatale awakens the evil.